Slider Image
August 30th and 31st: Last opportunity to see She appropriates at present, an exclusive performance lead by Marcel Borràs. + INFORMATION >>
Autors

For the 6th time, the Institut Ramon Llull presents a Collateral Event for the Biennale Arte. Pedro Azara curates the exhibition Catalonia in Venice_To Lose Your Head (Idols).

The multi-authored exhibition explores the theory of art reception and documents the complex life of public statues in our time. In a world of images, iconoclasm and iconodulia this exhibition questions the fetishism of images as living entities and encourages conversations as a way to foster human happiness, awareness and freedom.

With a performance by Marcel Borràs, video works, photography, an artist's book and an archive, Catalonia in Venice_To Lose Your Head (Idols) investigates the issue of art reception with a specific focus on naturalistic and figurative statues.

+ INFORMATION >>

Albert Garcia-Alzórriz, Video 'EYES - EYES- EYES' . Photo by Lluís Tudela
comissari
Pedro Azara Photo: Kiku Pinol

Pedro Azara

Curator

Pedro Azara (Bois-Colombes, 1955) holds a PhD in architecture (1986) and has been a Professor of Aesthetics at the Escola Tècnica Superior d'Arquitectura de Barcelona - Universitat Politècnica de Catalunya (UPC-ETSAB) since 1987. He is a member of, and advisor to, numerous councils of cultural institutions, both public and private, including the Architecture Commission of Barcelona City Council, IVAM (Valencian Institute of Modern Art), the international archaeological mission (Franco-Italian-Spanish) in Tell Massaïkh (Syria) and in Qasr Shamamok (Erbil, Iraq). Pedro Azara has curated several contemporary art exhibitions, bringing together archaeology, aesthetics, semiotic ideas and sociology. These include The Last Look, at MACBA, 1997; Mirage Town Baghdad, from Wright to Venturi at COAC, Casa Árabe, COAMI, Center for Architecture, Society of Architects, Riwad Biennale, Barcelona, Madrid, Murcia, Boston, New York and Ramallah, 2008–- 2011; Mediterranean. From Myth to Reason, CaixaForum Barcelona and Madrid, 2014; From Ancient to Modern. Archaeology and Aesthetics, SAW, New York, 2015; and Sumeria and the Modern Paradigm, Fundació Joan Miró, Barcelona, 2017.


With Marcel Borràs and Albert Garcia-Alzórriz and the collaboration of David Bestué, Perejaume, Francesc Torres, Lúa Coderch, Lola Lasurt and Daniela Ortiz.

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LLibre d'autor

A collective artist book, published by Tenov Books, which includes various written and artistic reflections on the exhibition's theme. The artists David Bestué, Lúa Coderch, Lola Lasurt, Daniela Ortiz, Perejaume and Francesc Torres collaborated in the book. The pieces and the texts present in this publication complement the exhibition and create a dialogue with it. It is like a long visual and textual essay that poses questions about iconoclasm and icondulism from the point of views of doing, of creating, constructing a counterpoint to Pedro Azara's theoretical and historical discourse. Sometimes this counterpoint enriches the discourse and sometimes it overflows it from the world of contemporary art.

+ INFORMATION >>
Portfolio Image

Captura LLibre d'autor

Portfolio Image

Desnudo femenino decapitado. Depósito Via Favència

Foto. Pedro Azara

Audiovisual

Video EYES / EYES / EYES / EYES, by Albert García-Alzórriz, duration: 30 minutes. Filmed, in part, at the statue depository on Via Favencia in Barcelona. The poet Gabriel Ventura collaborated in the script.

In an archive fragments of demolished statues are conserved. Next to each fragment there's the stone that was originally thrown and did the damage. Through audiovisual language, the video explores the ambivalence of the image, the material and subjectivity. "Two symmetrical shards, born from one sole gesture. Identical in some ways; it is not known which one claimed the destruction," explains García-Alzórriz. This is starting point image from where a spiralling narrative will unfold, to which the spectator assists over and over again. A story explained through variations.

+ INFORMATION >>

Albert Garcia-Alzórriz, Video 'EYES - EYES- EYES' . Photo by Lluís Tudela
performance

PERFORMANCE +INTERACTIVE SCULPTURE
She appropriates at present + E.Y.M.(a F*** vending machine)

Friday August 30th at 12 noon and 5pm

Saturday August 31st at 12 noon and 5pm

Last opportunity to see She appropriates at present, an exclusive performance lead by Marcel Borràs with the participation of the curator of the exhibition Pedro Azara.
Meeting Point: Exhibition venue, in front of the vending machine that will stock and supply all the necessary gear to adore or destroy the statutes that actress Marta Aguilar will impersonate.

Contact/Press: Annabel Labrador at anabelaes@hotmail.com /+34 670 634 015

Marcel Borràs is premiering She appropriates at present, an exclusive performance that will take place for a selected audience only during the Vernissage days. An actress will impersonate the complex life of statues that are documented in the exhibition, performing the events that triggered passionate responses in the heart of the communities, adoring them or destroying them. The performances will be recorded and photographed and become part of the exhibition Catalonia in Venice–To Lose Your Head (Idols).

+ INFORMATION >>



She appropiates in present + E.Y.M. (a F*** vending machine) PERFORMANCE + INTERACTIVE SCULPTURE

“Ella se apropia en el presente”, Marcel Borrás, 2019. Performance rehearsal. Photo by Lluís Tudela

STARTING POINT:
Main door of the exhibition CALLE QUINTAVALLE, CASTELLO 40, VENEZIA

INFORMATION

ADRESS

Cantieri Navali, Fondamenta Quintavalle, Castello 40 (Venècia)

OPENING HOURS

MAY 11TH TO NOVEMBER 24TH
FROM 10 TO 18PM
MONDAYS CLOSED (EXCEPT May 13th, september 2nd and November 18th)

Free entrance

VAPORETTO

1 i 2 - Giardini Stop

OPENING

May 10th. 6pm Drinks to follow

PERFORMANCE AND INTERACTIVE SCULPTURE
SHE APPROPRIATES IN PRESENT

STARTING POINT:
Main door of the exhibition CALLE QUINTAVALLE, CASTELLO 40, VENEZIA

  • May 8th at 5pm
  • May 9th at 12am and 5pm
  • May 10th at 12am and 5pm

Prebooking required at idols@llull.cat

CREDITS

ORGANIZATION AND PRODUCTION

Institut Ramon Llull

CURATOR

Pedro Azara

ARTIST

Marcel Borràs

VIDEO

Albert García-Alzórriz

DOCUMENTATION

Pedro Azara i Dolors Magallón

Edició de so i vídeos

Joan Borrell i Kerman Arranz

SPACE DESIGN

Tiziano Schürch

EXHIBITION CONSTRUCTION TEAM

Sotracs

TRANSPORTATION

Tti & IterArtis

GRAPHIC DESIGN

pfp, disseny (Quim Pintó i Montse Fabregat)

PUBLICATION

Editorial Tenov (Llorenç Bonet i Joana Teixidor)

INTERNATIONAL PR & COMMUNICATIONS OFFICE

Pickles PR

LENDERS

Agrupació d’Associacions de Setmana Santa de Tarragona Ajuntament de Balaguer: Museu de la Noguera Ajuntament de Barcelona: Museu d’Història de Barcelona (MUHBA) Arxiu Històric de la Ciutat de Barcelona Ajuntament de Sant Adrià del Besos: Museu d’Història de la Immigració de Catalunya (MHIC) Arxiu del Port de Tarragona Arxiu Municipal de l’Ajuntament de Tossa de Mar and anonymous collectors.

We want to thank the lenders and those who have generously provided us with information and documentation.

Special thanks to Aureli Santos (director of Urban Architecture and Heritage of the Barcelona City Council), María del Carme Hosta, Joan Roca, Rafael Perona (President of the Centro Cultural Gitano of La Mina, Sant Adrià de Besòs) Francesc Seritjol, Carme Alòs, Imma Boj, Julia Schultz-Dornburg, Montserrat Colomer and Lluís Tudela.

Agrupació d’Associacions de Setmana Santa de Tarragona
Ajuntament de Balaguer:
				Museu de la Noguera
Museu d’Història de la Immigració de Catalunya (MHIC)
Ajuntament de Barcelona
Ajuntament de Sant Adrià del Besos
Institut Ramon Llull
Generalitat de Catalunya
Govern de les Illes Balears
Ajuntament de Barcelona
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Depending on the type of data obtained the website can use technical cookies.

These allow users to browse the webpage and use the different options or services it contains. For example, controlling data traffic and communication, identifying the session, entering restricted access areas, requesting enrolment or participation in an event, using security features while browsing and storing content.

Personalization cookies.

These allow users to access the website with some general characteristics that are either already predefined in their hard drive or defined by the user. For example, the language, the type of browser used to access the website, the chosen content design, the geo-location of the device or the regional configuration from where access takes place.

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